Couture. The Cruella de Ville makeup and hair surrounded by sumptuous fabrics, full gowns of tulle, voluminous collars, feathered hats, and embroidered gloves. So exquisitely beautiful, so ingeniously creative, so alarmingly expensive! Who doesn’t love couture? It may be the ultimate aesthetic expression of fashion, but when it comes to wearing it, not many of us have the occasion, nor bank accounts, to do so. However, if you eye the runways carefully, there may be bits and pieces of couture that can translate to the everyday. Here are a few suggestions for incorporating the most cutting edge styles into your look.
If you’re looking to do something a little experimental when it comes to makeup, you may want to take an eyeful of the ethereal look Pat McGrath created for Valentino, incorporating white eyeliner with a radiant skin for an otherworldly glow, or his quasi-bizarre lip look using transparent papers and foils to give a reflective finish.
For a natural look with a bit of sleaze, Tom Pecheux created a look of glowing, golden beauty for Elie Saab, combining shimmery lips and lids, with severe black liquid liner, while using rainbow eye makeup for his Chanel models.
Linda Cantello focused on eye makeup at Armani Prive using smoky metallic shadows with bold brows, leaving skin and lips fresh and natural, for a novel day time look.
Val Garland took a more colorful route when it came to lips, applying bold red poppy colors to each model’s pout at Giambattista Valli, and using a gloss. The skin was left flawless and brows impeccably groomed.
The more intrepid among us may want to try the look Peter Philips at Dior describes as “a savage natural beauty” adding intensity with brows brushed upward, Dewey skin, and lips touched with a hint of a tinted balm.
Hair looks varied from wildly expressive to demure. At the mild end of things, Guido Palau styled his Valentino models hair in low slung ponytails with loose layers framing the face, as did James Pecis at Giambattista Valli.
For a rock festival feel, Orlando Pita at Elie Saab channeled the goddess look, with soft waves and a gold headband for some of his models, while others showed off mini braids.
Eugene Souleiman brought the edge at Maison Margiela decking out his models’ does with stenciled stars and foam like coatings, combined with highlighted skin and face jewelry.
Incorporating hats to the festivities were Armani Prive showing hair slicked to head, topped with dramatic veiled hats, while Sam McKnight created low looped ponytails worn under Chanel head toppers.
If you’re bringing elements of couture into your wardrobe this year, let us know what your borrowing and what you’re choosing to leave out from the world of high fashion. we love to know.